Blog entry by
Dr. John Ward
As
some of you may already know, I spent the last 3 weeks not only working with
the topographic material on site, but also tried juggling with the last
remaining chapters of my forthcoming book. Thankfully, the book has been sent
in for the editors to work with, which now gives me the opportunity to write a
small blog entry on the current topographic recording on site.
During
the first three weeks of this our second season at Silsila, I completed the
first phase of the topographic visual survey. This entailed three hills that
rise above and beyond the Main Quarry where we worked last year, as well as the
Situla Quarry, Graveyard Quarry and Naos Quarry (all our personal and thus unofficial
quarry labels). These four named quarries have been the focus of both Adrienne
and Maria as they continue to record and document the inscriptions, quarry
marks and other graffiti that line and mark the quarry faces.
Starting
with the area that I refer to as ‘Situla Hill’, which rises to the south of the
Main Quarry and contains within its upper section the Situla Quarry (hence its
name), I first began by observing the block-storage that is located at the
summit of the hill as it meets the ancient pathway/trade route that runs from
the north to the south of the mountain. Since there are various block-storages
in this area, I numbered this particular block-store ‘1’. Already during our
last season it had become apparent that I had to separate the stores to
correspond not only with the respective hills, but also their respective
quarries. Recording the block-storage and its immediate surroundings was a
labor intensive task, especially as I was situated on top of the mountain without
the otherwise optional shade of the quarry faces or the benefit on being on the
level ground. Each morning I had to climb up and down the hills, focusing my
attention to the details, some that are sometimes hidden within the eroded and occasionally
interfered landscape.
Similar
to ‘Situla Hill’ the other explored and recorded hills were (nick-) named after
their respective quarries and landscape features; thus, we have Graveyard Hill
and Pigment pit Hill. In-between these three hills I also had the pleasure of
recording the valleys or ‘wadis’ as we know them here in Egypt. Corresponding with
the hills’ names, these wadis were divided into manageable workloads:
1:
Situla Hill
2:
Block Store 1
3:
Situla Quarry (Upper Section)
4:
Situla Wadi
5:
Graveyard Hill
6:
Block Store 2
7:
Graveyard Quarry (Upper Section)
8:
Graveyard Wadi
9:
Block Store 3
10:
Block Store 4
11:
Pigment Pit Hill
12:
Block Store 5
Now,
within these 12 sections there were various areas that had received specific
interference, either contemporary with the quarries or at a later date. This
plateau landscape was mainly made up of the blackish, loose top-stone (a
familiar sight for anyone who walked in any of the mountainous areas across
Egypt) interspersed with heaps of spoil that once came out of the below situated
quarries. There at the plateau I numbered and recorded the numerous minor
surface quarries; areas where the ancients had taken advantage of exposed
sandstone outcrops. These were usually quarried in an ad-hoc manner, but the
ancients effectively removed any and all useful stone from its protruding
location.
Amongst
these open surfaced quarries and the pathways that meander throughout the
hills, I also recorded the innumerable amount of what I first thought were ‘camel
troughs’, but later turned out to be pigment pits; these are strewn all over Silsila
landscape. The ancients had obviously taken advantage of the upper natural veins
of the surface, which provided them with a white substance that as yet I have
to identify (possibly chalk, lime, or in fact a dioxide, similar to titanium). After
conducting a few on site archaeological experiments using the white powder on
the surface, I was able to determine that its application to a sound surface
was an effective pigment that completely whitened the surface. If it was mixed
with a little bit of water it became more paste-like and not as easy to apply
to a surface, similar to a plaster for instance. So, finding the white pigment
clearly solved my previous conundrum over these pits that litter the landscape.
Overall
the topographical visual survey has highlighted many manmade features that have
been installed to benefit the extraction of stone and their subsequent removal
from site, which I am sure we will publish in due course. The relationship
between the three hills and the surrounding quarries was a delight to
understand and evaluate. Equally it is great how one is able in essence to
understand the various periods of quarrying just by reading the landscape, explaining
how the work was carried out and how overlapping work periods have affected the
obvious landmarks that we see today; each detail, each element provide us with
a tangible timeline of events.
Unfortunately,
I still have no main shelters or an infrastructure to present to you that would
suggest permanent habitation or a community living and thriving above the
quarries. Thus, the quest for that particular question still remains. Hopefully
I will be able to bring you something in the near future.
Thank
you
John
ps. images will follow during the weekend...